More than two centuries after its creation, the emotional pull of this supreme opera remains absolutely intact. Dmitri Tcherniakov duly revisits the myth and makes the seducer of Seville a ‘man without qualities’, a cipher whose words have a hypnotic power over women. His words will disrupt the proprieties ruling the Commandatore’s family. His words are also what makes Don Juan such a subversive figure and the embodiment of one of the most powerful modern European myths. Leading the Freiburg Baroque Orchestra is one of the best Mozart conductors, Louis Langrée. Bo Skovhus portrays a dispirited Don Giovanni, old playboy and anti-hero. Kyle Ketelsen is his servant Leporello, currently a shoe-in for this rôle. The superb female trio is composed of Marlis Petersen (Donna Anna), Kristine Opolais (Elvira) and Kerstin Avemo (Zerlina).

Lluis Pasqual's powerful production for the Spanish capital sets Da Ponte's timeless story of sleaze and seduction into the dark world of 1940s Spain. Carlos Álvarez, in the title role, toys with the affections of Donna Anna, Zerlina and the Spanish lady Donna Elvira, before his overpowering methods finally bring his own destruction.

Calixto Bieito's famously controversial 2002 production of Mozart's great opera sets the action in the late twentieth century and brings to life an ancient story brilliantly retold. Bertrand de Billy conducts an energetic cast led by Wojtek Drabowicz in the title role, with the Liceu's Orchestra Academy. Press Reviews "The musical performance has its own distinction, as well as complete integration with the staging concept." (Gramophone) " It's a strong cast, led by Drabowicz's nobly-voiced, savage Don, and Youn's powerful Leporello." (BBC Music Magazine) "A fully rounded piece of work...Coherent production, perfectly staged, impeccable singers." (El Periodico) "Musically much better than the London version – Véronique Gens makes a wonderful Donna Elvira, confident, strong, perfect both in her singing and acting." (El Pais)

Don Giovanni prides itself in being a dramma giocoso. Not an easy expression to translate, given how starkly contradictory the terms would appear to be. But dig below the surface and you are plunged into a delightful swirl of ambiguities. Nothing here is set in stone: the libertinage is passionate, but couples meet and part. Fate plays tricks with masks, right up until the final challenge.

A live recording of Don Giovanni from the Festspielhaus Baden Baden, recorded on May 23rd 2013.

Live 2001 production from the Zurich Opera House of the classic Mozart/Da Ponte opera, with Nikolaus Harnoncourt conducting and directed for television and video by Brian Large.

This is released as part of Art Haus' Walter Felsenstein edition. Felsenstein, a contemporary of Bertold Brecht, ran the East German Komische Oper from just after World War II to his death. Felstenstein was famous for his ensemble productions and for the enormous amount of rehearsal time that went into his productions.

An all-star cast featuring Deutsche Grammophon artist Anna Netrebko, Bryn Terfel and Anna Prohaska, delivers a sensational new recording of Mozart’s Don Giovanni, conducted by Daniel Barenboim at the start of his inaugural season as Music Director of La Scala. Recorded live at the opening of the 2011-12 La Scala season, Don Giovanni is now set to be released in time for Bryn Terfel’s 50th birthday on 9 November 2015. It also ties in with the traditional opening of the new season at La Scala – 7 December, the feast-day of St Ambrose, patron saint of Milan.

Mozart's second collaboration with the mercurial librettist Lorenzo da Ponte is among the very blackest of black comedies. Glyndebourne welcomes back the winning team of director Jonathan Kent and designer Paul Brown, while the music is conducted by Vladimir Jurowski. In the title role, the bass-baritone Gerald Finley, joined by Luca Pisaroni, Kate Royal and the young Russian soprano Anna Samuil.

Every woman wants him, every man wants to be him: Mozart’s version of the irresistible rogue who brings excitement with him and leaves destruction it his wake has always attracted top singing actors, as in this performance brilliantly led by James Levine. Samuel Ramey is Don Giovanni, pursued by the incandescent Karita Mattila (Donna Elvira) in her Met debut season and role, and by the white-hot avenging fury of Carol Vaness (Donna Anna.) Ferruccio Furlanetto delivers a masterful comic turn as the Don’s servant, Leporello.